#don't have specifics to offer but the important thing is a betrayal happened

[noxianwilled]

hopping here to continue the sg posting by saying kat and draven were on the same team and they were besties and then shit went down and one of their teammates betrayed everyone and pinned it on kat and here we are

[xjulixred45x]

I was making some drawings with the story of the Trojan War in the background, when I just got to the part of the sacrifice of Iphigenia (Agamemnon's daughter) so that the ships would march towards Troy.

and it gave me a little idea for this little drabble.

Imagine that the reader is a lover of one of the 3 main members of the house of Hades (Zagreus, Thanatos, Megaera) and one day their family tells them to go to a specific place for a matter of EXTREME importance.

Without knowing it, the reader goes to where they plan to sacrifice them to the gods (you decide the reason).

What the family does not take into account when this happens is that using the Aid of the gods, reader calls their lover to help them (could it be possible? I would be upset if it were).

Can you imagine the reactions of each person when they see that mortals want to sacrifice their partner?

Thanatos is definitely against this sacrifice being made with his partner obviously, and he protects them, but he is the most aware of the situation, that if there is a sacrifice, some god asked for it, and he knows that something that would be worse (especially for his partner) than dealing with mortals, would be dealing with a GOD/GODDESS.

Therefore, Thanatos would try to use diplomacy as much as possible, although he would use force if necessary to defend his partner (if they needs it) and would try to fix the situation without bothering any higher entity.

He is the clumsiest when it comes to comforting his partner, but he doesn't want them to feel bad in the long run, so even after the situation is under control, he takes them somewhere nice to make them feel better.

Zagreus is definitely LIVID with anger when he finds out what is happening, I think he would try at first to say that it makes no sense for them to ask for a sacrifice because the gods usually DON'T LIKE THEM (like what happened with Pelops) but as soon as he sees that that It doesn't work, he goes directly to violence.

Do they want a sacrifice to the gods? Well, let them be it themselves. Besides he gets to show off a little with His partner lol.

although he definitely tries to comfort them emotionally after that kind of betrayal while he can be on the surface (or even offer them some time in the house of Hades, if they want). Good and unusual Badass/angry Zagreus.

Megaera....OF...she jumps right into violence. They don't even have to tell her what's happening, she sees her partner in trouble and distressed and she sees RED. brings out her most violent side.

When it's all over she goes to check on her partner and asks what happened and it only makes her even angrier. Of course it was deadly stupid. But he's glad they're okay. she's not as emotionally good as Zagreus, but at least she comforts her partner because she knows what it's like to feel so disconnected from your "family."

She is definitely going to take the time in Tartarus to torment her partner's family or at least she leaves it to her sisters :)

BONUS:

POLY THAN/ZAG/MEG is a weird mix of all of the above. probably having Thanatos trying to make things "right" Megaera and Zagreus try not to go straight to violence. THEY WOULD TRY.

although as soon as they see that there is not going to be a real negotiation, that they ignore them or, gods forbid, they try to kill their partner EVEN WITH THEM IN FRONT OF THEM Zagreus and Megaera will no longer hold back and will go for BLOOD.

Thanatos, seeing that diplomacy failed, would only dedicate himself to checking on his partner to see if they were hurt or if they are feeling well in general. The man wants ANSWERS of how this happened.

When it's all over, probably the three of them (especially Zagreus and Meg) would be much more vigilant with their partner, it was just a big scare. Besides, lots of hugs and cuddles. I don't make the rules.

Shares, reblogs and comments are very welcome!

This was fun to write:D

[bblovetarot]

{ೀ} How can you become more balanced?

ʚ ═══･୨ꕤ୧･═══ ɞ Pick a Pile ʚ ═══･୨ꕤ୧･═══ ɞ 

. ༄ . paid readings . ༄

。°⚠︎°。follow your intuition when choosing a pile. if you're drawn to more than one pile, that's okay! you may have messages in more than one.

。°⚠︎°。tarot readings are not 100% accurate, and do not dictate your future. please keep in mind that you have free will. these readings are also general and aren't specific to one person, so please take what resonates and leave what doesn't! 

Pile 1

Pile 1, it seems that to achieve more balance in your life, there's a crucial need for healing and regaining control. It appears that you invested deeply in a relationship, giving your all, but it ended in disappointment. It's understandable to feel hurt when things don't work out as desired, but dwelling on the past won't serve you well, Pile 1. Your heart and soul need healing, especially from a perceived betrayal that may have occurred. It seems you've taken on a victim mentality, finding it challenging to trust others, possibly even losing faith in the Universe or your beliefs. While setting boundaries is essential, completely closing yourself off isn't healthy. The impression is that you've victimized yourself, feeling trapped in negative thoughts and fearing sabotage from others. It's crucial to recognize that, despite the hurtful words and actions of others, you hold the power over your feelings and actions. Untangling yourself from the web of lies, expressing your emotions in a healthy way, and being kinder to yourself are essential steps. Understand that you are precious, deserving of kindness, and capable of achieving what you truly want. To regain balance, tap more into your feminine side and reclaim control from the dominating ego. Lift yourself from the ground, stand in your power, and move forward like a butterfly emerging from its cocoon. Mother yourself, cutting ties with individuals, whether friends or family, who bring negativity into your life. Remember, what people say about you often reflects their own insecurities and feelings about themselves. It's time to break free from these projections and nurture the strength within you.

Pile 2

To achieve more balance, Pile 2, it's important to introduce more discipline into your life. If you've been living life without a clear direction, it might be contributing to feelings of being stuck and restless, possibly accompanied by depression and anxiety. Grounding yourself is crucial for this pile, as you seem to be caught up in your own thoughts, allowing fear to cloud your judgment. You may not be thinking and seeing things clearly, and grounding exercises can help you feel lighter. Consider tapping into faith or seeking guidance from a mentor with spiritual or religious knowledge to clear your mind. Taking things one step at a time is essential; there's no need to have everything figured out instantly. Progress may take time, but it's important to enjoy the journey and recognize that life isn't always sunshine and roses, but it doesn't mean you won't experience it. If you tend to overthink, understand that not all your thoughts are real. Establishing a routine, incorporating meditation and yoga, can ground you and keep you out of your head. While friends may be offering support, you might have closed off due to not being fully healed. Your heart desires fun, love, and connection, so grounding yourself, healing, and expressing emotions, possibly through art, can be beneficial. For this group, creativity, especially through art, seems to be a great outlet for self-expression and clearing the mind. Recognize that your heart is closed off at the moment, and to achieve balance, finding the willpower to open it is crucial. Remember the saying, "Life is happening for you, not to you," as you embark on the journey of healing and self-discovery.

Pile 3

I'm picking up on a strong message for those in pile 3. It seems like there's a significant decision on your plate that can bring about a better balance within yourself. Right now, you're rocking the masculine energy, but it's crucial to reconnect with your feminine side and strike a balance between the two. Grounding yourself is key, especially if you've been through a spiritual awakening or if one is on the horizon. This awakening is tied to a decision you'll need to make, setting the stage for a fresh start. Taking a leap of faith is part of the deal, and it's vital to make this choice from a place of balance because it feels like a major, potentially life-altering move. There's a sense of permanence, no turning back once you decide. While this decision could relate to various aspects of life, the vibe I'm getting leans towards matters of the heart for most of you. Strengthening boundaries in relationships and standing your ground is crucial. You need to hone your discernment skills when it comes to others. The decision ahead will require you to speak up, which might be a bit daunting, especially if it's not your usual style. However, your awakened self understands the truth and how things should unfold. Ensure your head and heart are in sync before diving into any situations. This reading is pretty straightforward and general, as it will manifest differently for each of you. The central theme, though, revolves around embracing compassion and expressing your needs openly, not just for yourself but also in your interactions with those around you.

[zeroducks-2]

speaking of august vs thawne I felt like those two were being petty towards each other when barry forced the 3 of them to work together. I remember at some point august pointed out how he's better than thawne cause he's actually willing to change hence why he gets to be part of barry's life. personally I felt like that struck a nerve in thawne and that's probably one of the reason he killed him lol. "you thought you'd get to be with barry? guess again!" moment

The thing about Eobard (and this is something that drives me insane in a very good way) is that his actions look pretty much nonsensical when you look at them without context.

Why did he kill August at the end of The Flash Age, after everything had gone SO WELL?

Barry trusted him, Eobard did the right thing. They easily fell into the right rhythm, they helped each other no strings attached, and not only that - after saving Chris, Eobard went back to Barry and August to save them too.

He could have very well left them to die, and if you think about it, he can just walk into the Speed Force and pluck Barry out like he did in the Rebirth Mini. So it was really just a plain good action.

But then he goes and pulls August's neck like a chicken's? Why TF Eobard? Barry doesn't understand it, and since we don't get Eobard's POV, we don't see what's in his head when it happens. But if you know enough Flash lore, it's possible to piece together what went down.

First of all, and this is very important to consider, Eobard was walking away. It's August who physically stops him.

August grabs his arm, and Eobard immediately understands what this is about. August wants him to go back to prison. The fact that his response is about trust, and the defeated look on his face, make the feeling of betrayal pretty evident.

(also what in the FUCK you think you're doing August, this is a whole ass tiger not a kitten you can scruff oh my god. anyways)

Now, the reason why Eobard immediately assumes (correctly) that August wants him back behind bars, is because this exact same thing happened to him so many times, and it's basically a trauma so big he would rather take his own life over going to prison.

Back to his time of origin in the 25th century, he would stay locked up in the most inhumane conditions (total isolation, sensory deprivation, no human contact to the point where they fed him using radiations so that no one would approach and talk to him), and the only way he had to get out for a very limited amount of time, was when the good law abiding citizens needed a hero to fight some kind of superpowered foe.

Because in the 25th century superheroes are illegal, when something too dangerous comes up, the only way to fight it off is to use a criminal. And who better than Professor Zoom, the "sociopathic knock-off" of the now defunct hero the Flash, who'd do anything for a scrap of freedom and two minutes of leniency - especially because for all his life Eobard has desired being a hero and help people, so he'd never refuse such an offer.

Page from The Flash #147. The Flash in question is Wally in one of his timetraveling adventures.

So Eobard helped, everyone cheered, and then locked him back in prison.

We see this *in The Flash Age* as well. It's what happened when he had to fight Paradox the first time - he was pulled out of prison and he not only fought of Paradox, he also saved the survivors, rebuilt Central City and the Flash Museum with it.

Now of course August couldn't possibly know all of this, but what August knows is that Eobard, when he was locked up in Iron Heights, was in this condition:

So what he's doing is in fact demand that Eobard, in order to actually gain their trust and proceed on his "road to redemption", willingly goes back to that BDSM contraption thing in sensory deprivation and with a muzzle in his mouth.

After this man went back in time to specifically save August's ass from a world eroding from under his feet.

Eobard is openly terrified at the idea of going back to prison, by the way. Many times he very clearly tells Barry that he'll die before going back to the situation described above. Or to this:

Or this:

Or this:

And I could go on but you get the picture.

August basically put his whole foot into an open wound and twisted. The idea of going back to jail after his five minutes of leniency had to be so upsetting that I'm surprised Eobard JUST broke August's neck, and didn't like, gut him up while he was still alive.

It's understandable that people would think that he killed August out of jealousy, or that he somehow cringed at the good action that he did and had to sort of compensate with a bad one. But it's actually way more complicated. And the saddest part is that he assumed that Barry was on August's side, wanting to put him back to jail, because he's traumatized as fuck and will always assume the worst possible scenario.

[sillypiratelife]

You need to read the live action, the manga and the anime as different canons. It's healthier to the fandom's brains AND it's also better for analyzing properly what is going on.

One Piece is the type of story that relies heavily on the medium it is presented on. Hm actually, let me correct myself: One Piece is the type of story that celebrates and understands and was born to be told in that specific medium. The form and the content don't exist as separate entities, but are rather intertwined to elevate the narrative. That the characters are soooo cartoonish is not a mere style choice— it holds meaning, it complements what the author is trying to transmit.

One of the first things that I learned in college while studying storytelling was that there's a max point for tension in any story. There's a top to how tense you can keep the audience. If you reach that point, you won't be able to intensify the emotions; that's it, you need to introduce a breather or you'd end up with a stagnant narrative.

In manga/comics and cartoons/anime it's easier to walk that line. The power to make some silly joke or have the characters acting stupid is in the hands of the mangaka. I bet any manga reader or anime watcher can think of a moment in their fav series when the characters were in the middle of a seriously important moment, just to be involved in something ridiculous that breaks the tension.

It's fantastic. Mangas and animes love to make fun of their mediums, introducing satire to allow the audience some laughs. It's not until later when the reader/watcher sits and realizes how fucked up the whole situation was. A delayed punch to the gut, something to keep the mind working and thinking of their series until they wait for the next chapter/episode.

How to make the audience feel the impact of a character? Well, you can allow the audience to empathize with the character by explaining their reasons or backstories, you can show the world through their eyes. You can also show them all goofy and happy, so when the hammer strikes the readers/watchers will be nostalgic for the good times, mourning the fact they will not get more of that and becoming nostalgic. There are so many ways to keep a character haunting a story...

Oda is aware of all the manga medium can and cannot do. For people like him, the limitations are actually just more tools to play with. If you want to double check what I'm saying, go reread the panels where Luffy awakened Gear 5. Only manga could offer what went down in those panels; when the very nature of Luffy's powers are revealed to the audience and the characters, the manga gets self-aware and voices it out: "hey, this is the type of thing that only happens in comics, right?"

The anime allows a different range of tropes and shapes the story, correctly translating it. It's true that the best translations mind the public and the medium, adapting the jokes and references. It's also true that every translation is a little betrayal to the original, a unique creation in its own right. A good example of that is the way that the fillers shape the perspective of the watchers when it comes to the characters' dynamics. If the anime has a filler arc where the fight, a new tension will be present in the next manga canon arc. If the anime shows a filler where characters are close friends, it's gonna be weird when they start acting all distance back at the manga canon events. Not all fillers are meant to be considered part of the main storyline, of course. You have OVAs and you have movies and fillers and all types of media that are considered separated.

On the other hand, you have the visual changes: imagine that the anime changes the angle of a scene where two characters used to stand close and put more distance between them. What the manga could mean as a subtle implication that those characters cared about each other could turn into cold tolerance of the other's presence. Even the best of animes have those changes!!!!

In One Piece's case, turning the story into a live action series must change almost everything. It'd be impossible to maintain the cartoonist aspects of the story (unless they decided to go full Looney Tunes in that movie with Brendan Fraser lol). The choice was the following: we can try to keep the original elements even when they translate poorly to the new medium so we can please the original fans that are used to the story —OR we can try to translate the essence of the story and change all that needs to be changed, so that we keep the storyline and storytelling coherent and cohesive, at the cost of creating something not necessarily alien, but still new.

Violence in OPLA is way more serious.

You know how in the manga/anime characters would get fatally wounded and come back like it was just a minor injury? Or how they'd heal with no major medical intervention? That's a liberty of the medium. Your brain doesn't process the same way when you see a drawing wounded and when you see a real life person wounded. In OPLA, the suspension of disbelief is harder to achieve. Even and because the story was already introducing Luffy's powers and other fantastic elements, they needed to be careful to not overdo it. One option was to make people actually die— to know that in the live action not everything is so silly? It raises the stakes. OPLA discards some elements that are natural of a manga and in consequence, the story turns out to be darker. You have no fillers or little stripes of silly drawings or author comments or openings and endings. You'll have to do with what you do have and tell a story worthy of being told in that new medium.

That's a good translation right there, made by someone who understands that you cannot copy and paste things recklessly. That's the formula that made so many live actions fail, in fact.

You'll see many fans complaining because they don't understand any of what I just explained. For them it's easier to justify their opinions by saying that "they did this bad and that's why I don't like it" than admit that "they did this correctly but it's not my thing anyway".

One big example? Fanservice cannot be carried out from manga/anime to a live action. It's not the same to exaggerate the proportions of a body in a drawing (we can discuss the morals of this later) than ask of it from a human person. It's not the same to use some sexual traits in fiction as a way to appeal to the audience than to carry out those implications to a live action (again, I'm not saying it's good or bad because that's a discussion for another time).

Actors are humans. They will never have the same characteristics as an animation or a drawing, no matter how advanced technology is. The sooner you understand that, the sooner you appreciate art for what it is in its medium.

So really, what's the healthiest option? It'd be to approach each version as exactly that, a version of the story. As foreign as it can sound to some fandoms, the audience doesn't have to justify their opinions on something. Opinions are not professional reviews or art analysis. You can be as subjective as you want! To perceive each version as its own little world is easier: you can say "I like this better" without invalidating the opinion of anyone else. There's also the fun in exploring the different implications (they look like friends in this version but like lovers in this other) and playing with the divergences. Fans do that all the time in their art (literature, visual art, music, etc)

You can also analyze different versions of what is going on and contrast them. Do the differences change the form and content of the story or just one of those things? How does this new element change the dynamic between these characters? Are the characters written well but get thrown into a new setting? Is the setting the same but the characters feels more like ocs than the characters from the original story?

Knowing how much One Piece values symbolism, it'd be interesting to see how they could translate the constant influx of symbols in the manga or in the anime to the live action. The live action might show just the most important parts, cutting all the rest for lack of both space, time and budget. What does the author consider to be vital to the story and what can be cut down?

To have three parallel Luffy's in different stages of the story is fascinating to me, more so than the idea of trying to mix three formats that won't even match, mind you.

[v-arbellanaris]

on divine justinia

Justinia V will be remembered as one of the most progressive Divines in the history of the Chantry. Before her untimely death at the Temple of Sacred Ashes, she made strides to break down barriers for both mages and elves, as well as encouraging free thought among the Maker’s many children. For her views, she won as many enemies as she did supporters.

-- World of Thedas Vol 2.

PART ONE of a series, exploring Divine Justinia’s political stance. Was she really as progressive as people claimed?

Firstly, before we even dive into any analysis, we should define the word ‘progressive’. In the most base of definitions, it implies progress -- a gradual betterment. As a widely accepted definition, someone whose politics advocate for social reform. 

PART ONE - LELIANA'S SONG. / PART TWO - DRAGON AGE II. / PART THREE - THE MASKED EMPIRE.

Leliana’s Song DLC

This is where we first meet the future Divine Justinia V. We first meet her as Revered Mother Dorothea; she appears literally as a salvation to Leliana in her darkest hour, after Marjolaine has betrayed her, after Raleigh has tortured and beaten her. To make the metaphor even more glaringly obvious, we don’t even see her face at first, we hear her voice and see her as a glowing light coming down from a ceiling in a blank room. She’s clearly being painted as a ray of hope for Leliana, some sense of salvation -- (I’m very much getting the Maker helps those who helps themselves vibe from it) -- and when Leliana finally “gets” to her, she tells Leliana she’s safe. 

It’s important to keep in mind that this is what Dorothea means to Leliana. This is what Leliana sees and thinks about when she’s talking to and interacting with Dorothea. To Leliana, Dorothea is hope and safety, sympathy and compassion, and ultimately, a path to salvation. 

And though she may be those things to Leliana on a personal level, these traits have little impact on Dorothea's politics, which are influenced by the Grand Game and specifically how well a person can play it. This is made especially salient in the next scene.

Dorothea tells Leliana that she came to Ferelden without permission in order to fix her mistakes. The mistake she’s referring to is giving Marjolaine the papers containing Orlesian intel, which were then used to frame and implicate Leliana. It’s implied that this was the result of a seduction on Marjolaine’s part.

When Leliana questions whether Dorothea is trying to get her to steal the documents back, Dorothea denies it, just barely -- but then admits that there is “unfinished business” with Marjolaine, equating the documents she gave to Marjolaine with Leliana’s feelings of hurt and betrayal. She suggests that Leliana might want to get revenge for being “hurt so dearly” and offers to provide both Marjolaine and Raleigh’s location. She suggests that Leliana “help Orlais, and yourself”. At the same time, she claims that she doesn’t want Leliana to cause more harm to people, and yet, who was it that sends Leliana after Marjolaine in the first place? Who was it that sends Leliana to fetch the papers in the first place? With what Leliana just went through, Dorothea likely has no illusions about what Leliana is capable of -- or what she might want to do to Marjolaine, in the name of vengeance. In fact, Dorothea specifically addresses those feelings in order to convince Leliana to "help" both of them. Sending someone capable of murder -- with the motivation to kill -- after Marjolaine after tritely telling them that you don't want them to hurt more people...

Is she giving Leliana a chance do better or does she simply... not care what happens to Marjolaine as long as she gets the documents back?

This is the darkest moment of Leliana’s life. And though Dorothea shows great sympathy for Leliana’s feelings, despite her words, the actions she suggests essentially use Leliana against Marjolaine, all the while playing it off as though she doesn’t really need Leliana’s help, and this isn’t really about her at all, but it’s about Leliana’s emotions and struggles. But getting the papers back benefits Dorothea. The papers could be thrown into the sea or destroyed but Dorothea specifically pushes Leliana to retrieve them, in such a way that makes it look like that’s not what she’s asking for at all.

As Leliana, we get to quiz Dorothea and we get to see some insight into Dorothea herself. She calls the Ferelden rebellion “the Orlesian-Ferelden war” and states “Many on both sides have been reluctant to abandon the hatreds of that conflict.” 

The “conflict” she’s referring to is, of course, the Orlesian occupation of Ferelden and Ferelden fighting back against that occupation. Ferelden was colonised -- I struggle to understand how the violent occupation of a nation can be equated to resisting such oppression. But, I suppose that’s typical Chantry rhetoric that we see often; we see similar commentary about any state sanctioned/Chantry sanctioned violence against elves, such as the Exalted Marches, and, later, about the mage rebellion. Dorothea does inextricably link what’s bad for Orlais to what’s bad for the Chantry; unsurprising, considering the Andrastian Chantry is used to prop up Orlesian imperialism (read here for this thought provoking meta by mllemaenaed!).

Leliana asks what happens to all the people who followed her out of the dungeon. Dorothea says that some will be turned over to the city guard, presumably of Denerim where the story is set. Dorothea does state that some of them have more than paid for their petty crimes/ The "some of them" she's referring to specifically is Silas, who wants to join the Chantry. Ah yes, the sign of true repentance... and I suppose that everyone else just isn’t sorry enough? Or being tortured and/or sexually assaulted by Raleigh and his men somehow isn’t enough to pay for petty crimes? Hmm...

Conclusions, so far:

Her politics so far don't seem to be progressive -- the implications that Marjolaine seduced her (and thus, she has an active sex life) is perhaps a bit taboo for a priest, but her politics themselves don't necessarily seem progressive at this point.

She believes those who turn to the Chantry have truly repented, but others who do not, have not. She paints the Ferelden rebellion as a two-sided conflict, rather than an acknowledgement of Orlais as a hostile colonising force in Ferelden. None of these beliefs are progressive -- they're standard beliefs of Orlais and the Orlesian Chantry.

She's aware Leliana is a criminal here, but a criminal with uses, someone she can leverage against Marjolaine -- and she does, with devastating effect. Dorothea sends Leliana after Marjolaine fully aware that it could result in Marjolaine's death -- and is either naively hopeful about the result or entirely apathetic. She plays the Game and she plays it well -- well enough to survive having sold out Orlais, well enough to manipulate Leliana into working for her for the next ten years.

This is a master of the Grand Game.

Silas: What about you? Leliana: Me? Nobody cares what I want. Silas: You should.

[my2phetaliaheadcanons]

Hey hey heeey~ I just thought of something. What if from the order where the female reader country was forced to get married (That one from Germany and Russia) her boss tells them after a year of the marriage that they want her to get divorced and marry another country for convenience? Saying something like:

"Oh well, since we are better off there is no need for you to stay married to that country, rather I will engage you to another one from which we will get more benefit. Think about your people first and then how you feel, I don't care if you are both in love, you are someone very nice and outgoing lady, I'm sure any other better country will want to marry you."

Do you think it could be with the characters England, America, Russia, Germany, Canada and Sweden. All separately with 2p version and Yandere 2p? If you want to do it either way that's fine! Thank you very much

I only did four out of the six characters. This is because of my character limit is four, unless you ask for a specific group. You are more than welcome to request part two for the ones I didn’t do, or even a part one for the ones I did this time. A yandere version could also be written. Thank you again for the request, I hope you have a good day!

Russia – When his little wife comes to him with this appalling news Viktor will not be pleased. He had publicly declared that he loved you, and you had done the same. Viktor had also gone above and beyond in his duties as a husband. His love for you had led to amazingly beneficial for your people, and yet your boss wanted to end that.

Viktor, on the other hand, does understand that your boss wants what’s best for your people, but he doesn’t care. As long as you are healthy and he can help you, then there is no need for another. Viktor also carries the belief that divorce is only needed for extreme situations, and that other problems can and should be worked out.

In addition, if you are willing, Viktor is willing to raise hell to protect your marriage. He starts simply enough, pressuring your boss with his presence and offering details about why the two of you should remain united. Treaties and trade are the biggest pushes Viktor gives, but as time goes on, they become what Viktor uses against your boss. Many nations would avoid trading because of Viktor’s words, while enemies would start to rise from almost nowhere.

In the end, your boss will give in. Viktor is a big nation with lots to offer, he is correct in that he can not only provide for you but your people as well. So, why not keep letting him do so.

Sweden – Bernard only looks like he takes the news well. Though his hustru knows better, they can see the tightness in his smile. He is not pleased. Even if you thought had a fleeting feeling of just giving in to your boss, Bernard is there to remind you why it is important to fight for your marriage.

Being silver-tongued, Bernard has the benefit of easing his hustru while also convincing your boss to drop this evil idea. It may take some work, but Bernard is not easily dissuaded. He will spend hours with your boss, learning all he can while still dropping hints about how there is no benefit to taking you from him.

If it doesn’t work, then your boss gets annoyed. He won’t outright yell because Bernard has been nothing but diplomatic to him. Your boss may not even be able to deny the good points, but your boss refuses to give in. Especially since other bosses have sent in letters about marrying you to their nations. This is Bernard’s tipping point.

From this Bernard will resort to his final trick, disappearing. He has done with all kinds of people for all kinds of reasons throughout the centuries. Even though his own bosses have found some hiding places, they haven’t found them all. So, Bernard, will bring you both to the oldest one and hunker down until this is all done away with.

Since both of you are important, I can see this working. After like three months, your boss will give in and your marriage will be stronger than ever.

England – At the news Oliver is going to be shocked. He knew that bosses could be stupid, but he never knew that one would be so stupid as to cross him. His shock turns into giggles as he walks over to you and gives a quick kiss. Smoothing your hair, Oliver lets you know not to worry.

Oliver is the king of getting his way. He comes on strong because he wants to make sure that your boss knows why this should not go through. Firstly, Oliver is gonna send a box of cupcakes and a letter. The cupcakes won’t kill, but your boss is gonna feel all kinds of sick. Think the cupcakes Todd Packer gives out in the Office. The letter will be simply written, but still carry the deadly intent. It contains details about what should happen if your boss would continue to attempt to destroy his marriage.

You won’t be able to warn your boss about any of this, because you’ll be with Oliver, enjoying a wonderful date. He also won’t tell you that this is his plan. The only clue you get that anything happened is a phone call.

The call pretty much your boss apologizing for attempting to hurt you and saying have a good night with Oliver. After you two celebrate, Oliver will call your boss. He tells your boss a simple thank you, before walking over to cuddle with you.

Germany – This lazy guard dog gets aggressive once in a while, and this is that moment. He is your husband; he has given himself to you and only you. If you can’t stop your boss, he will. The thought alone of you being taken, causes his angry burns so intensely that he starts to turn red. His breathing gets ragged, and Luther grabs the nearest phone.

With the phone in hand, Luther dials your boss. In those tense few seconds of silence, attempts at calming him down only lead to him pulling you to him. There he just pets your head, until your boss answers. Not even a syllable is spoken before the grilling starts.

Words of anger, betrayal, and threats fly from the mouths of both parties. It takes about five minutes before the phone is angrily thrown down. Pulling you even closer, Luther promises that he will fix this and ensure that you two will remain as one.

Luther’s next choice of action is to use his resources. First, he will go to his boss. Offer deals in ways that could help you two remain together. If they work great, Luther will return to his laid-back self, if not then it's gonna get scary.

Luther calls on favors that he’s been owed. It adds up to quite a bit and tell them all to either drop their courtship or face his fists. This works for many nations, there are many recalls and a huge drop of interest in you. Those that still persist, Luther calls in the rest of the Axis for help. He will do the beat down, but the rest of them help keep away the allies of the offender.

In the end, you two win. Mainly because everyone realizes Luther loves you enough to give up his lazy lifestyle, and this leads to no one wanting to court you. Luther’s aggressive state will calm with the news, and he will go back to being a lazy guard dog. Always close, giving you affection and you two will celebrate like true husband and wife.

Yandere Version: So, the yandere version of this story would have ended differently. There would have been more stalking, and preparations made by the nations to ensure that their sweet little ray of light remains theirs. Also, in my opinion, yandere is a horror trope and as such having them as her husband would be horrific. Unless Stockholm syndrome takes hold, it's only gonna be bliss for one party.

Russia – As a yandere who had his родная within his arms, Viktor is willing to go to war to ensures that she stays there.

It will start simply enough, like his normal self, Viktor will mention lists of why they should remain together. Similar things as before, but his patience is much shorter than before. As in, the second it is confirmed he has a rival, hell will be raised.

Yandere Viktor does it very simply. Starve your country out. It starts with blockades, the intimidating huge Russian warships start to affect trade. Then it escalates to raiding incoming ships and shooting down planes. It is nothing pretty, and your country will struggle to fight back against this world power.

As your citizens suffer, you will start to feel ill. Viktor’s hurt by your pain; he doesn’t show it though. Instead, he holds you close, doing his best to comfort you. Running his fingers through your hair, asking what you need, administering medicine, and more. Though, there would be times when you are alone because of Viktor having to lead the charge against your people. After all, he was the one that wanted it.

In the end, your country is on the verge of collapse. So, they give into the Russian Government, maybe even suggest a merger. Viktor is pleased that you won’t be taken from him and didn’t even have to resort to full-out war. Viktor is saddened at your ill state, but he promises to help you rebuild, after all his influences will help make it all better.

Sweden – Bernard is quick to act the second he realizes that your marriage is under threat. He has a horribly awful plan.

First and foremost, you are hidden away. Just like normal Bernard, he will use one of his oldest and best-hidden hiding places. For anyone that is curious, his best hiding spot is like a big hobbit hole. Deep in the ground, warm and cozy. That little piece of nerdiness is where you will stay. It’s nice until you realize that only Bernard knows where the door is.

Well, Bernard then goes on the offensive. Taking care of any challenges that threaten his spot as your husband. Eventually, that’s not enough, so Bernard decides to target the source of his marital distress, your boss. With the begrudging help of his brothers, they take your capital. This is where you start to feel ill. For as your capital burns, so do you.

Once your boss is cornered, a simple secret declaration is signed. It is a law that decrees that you shall never be taken from Bernard. As nations, no regular citizens shall be alerted to this new law and it leaves you tied to him. After all, it is said until death do you part.

England – Oliver acts very similarly to his yandere self. Though he is much more direct as a yandere.

Yandere Oliver walks into your boss’ office the moment he hears about this foolish plan. His sources, the flying bunnies, would ensure that he hears this plan before you even have a chance to. At this point in your marriage you have finally calmed down, started to accept your place by his side, and he will not risk having you riled up again.

His smile will be like an angered Cheshire cat, wide and tight. No one will want to interact with him and those that watch him pass will pray for his victim. Once he corners your boss and making sure that no one will interfere, Oliver wastes no time drawing his knife.

He is clear with his threat. Let him and his dearie stay together or face a deadly curse. One that would affect all the choices he makes, and yet somehow not harm you in the slightest. Even if your boss gave in to Oliver would make sure scandals would abound, and hopefully, this would push him to either resigning or causing trouble. If your boss causes more trouble then he would have no choice, but to act on your behalf, and kill him.

In the end, Oliver got his wish. You two are still together, and the troublemaker is gone.

Germany – As a yandere, Luther will appear calm at first. It will feel like a trick being played by his kitten. Another attempt at getting away, that is until his own boss calls him.

After that phone call, Luther is quick to start fighting against the order. He starts by asking if you know of anything that could be used against your boss. Scandals, blackmail, family, or even secret pleasures that he could use to his advantage. If you don't give it willingly, then he's gonna force it out of you. Whatever you name, Luther is gonna use.

From there it is simple Luther has his own government back him with whatever info you had forced out of you. It makes for an interesting engagement with your boss. He isn’t happy with what happens, but he is willing to work with the German government.

At first, your boss may just extend the time you two are married. Maybe it’s another year or only a few months, but Luther will take it. This gives him more time to figure out something more damaging.

That more damaging thing is killing off your boss. Luther reasons that if he kills off your boss, the next one will keep you together. Luther will do it up close and personal, using his brass knuckles and then his firearm to finish the job. Sure, your nation will be in flames, but his government can clean up the pieces.

From there it's simple, he helped you in a crisis, and now your marriage is secure.

[aletheiamagilee]

Full Moon (Timeless)

A Pick-a-card Reading

Greetings✨ This reading is about what Full Moon brings you. Choose a number from 1, 2, 3, and 4 that feels right then scroll down to your designated reading. This is a reading for the collective, so take only what feels right for you. This is also timeless, so you can always go back to this reading whenever you feel drawn to it.

Disclaimer: This is for entertainment purposes only and thus, should not be taken as a professional advice whether legally, medically, or in any other way. Any decisions or actions you make after this reading is your sole responsibility and is not forced on you by me in any way.

Message for the collective

Luck and decisiveness plays an important part in your situation. Once an opportunity presents itself, grab it and be responsible for it. Think of a seed being offered to you. It has a possibility to grow but only if you'll take it and care for it.

Pile 1✨

This is more of a relationship reading. I can see that most of you are going through emotional transformation, such as you've been hurt or you've been dealing with pain. More specifically, some of you might've experienced betrayal. For others, you somehow betrayed yourself such as you chose to believe in the lies you tell yourself. This Full Moon, I can see you moving on from this and learning your lesson. This moment might not last long though. You might have a tendency to go through cycles. There's a need to plan and be the authority of your life. See your life from a third person's objective perspective. Get to know yourself. This is difficult but I can see that doing this would improve your situation. There are things you need to unlearn in order to become more stable, which is ironic but I hope you get what I'm trying to say. You're a strong person, perhaps also stubborn? You're transforming into someone better, darling. I hope you trust the process and go through it, because in the end, you'll come out victorious.

Thank you for your trust and I hope it resonates🖤

Pile 2✨

Do you have an assertiveness in you? You tend to do things that you want, express yourself, and stand your ground. You have this sort of principle that you don't want to live your life trying to please other people. Also, you have this personality of always doing what you love and what makes you happy. This Full Moon, this principle of yours will face yet another challenge. This is because the Full Moon brings you a lesson. You'll learn to detach yourself from the external world and focus on yourself and your values. I can feel that there might be a need for re-evaluation. It's as if this Full Moon illuminates the blockages that you have in your life, so that you can remove them and heal from them.

Thank you for your trust and I hope it resonates🖤

Pile 3✨

Have you lost a parent or a parent figure recently? For others, something happened recently that made you feel as if you have nowhere to go, no one to turn to. You feel like you're alone. This Full Moon, you're going to have control over your life. You'll find your footing and stability. First, you'll go through a transformation emotionally. It's as if you suddenly grew up and matured. Then, your finance or the material world you have might become affected. For others, you'll need to be wary of how you manage your resources. For some, stabilizing your finance will take longer.

Thank you for your trust and I hope it resonates🖤

Pile 4✨

A clear message that I'm getting is that some of you might decide to become independent, and you'll get it. Your mother or a mother figure will play an important role here. Maybe, in terms of permission or finance? There's an element of gift here, so maybe this mother figure decides to give you ownership of something. A contract might be involved, and it would be a long-term one. Some of you might have worries about this. Here's a fact: You can take this. Whether you see this as a challenge, responsibility, a privilege, no matter how you see it, you're up for it. As the saying goes, "Heavy is the head who wears the crown."

Thank you for your trust and I hope it resonates🖤

[anzcty]

Analysing Episode 6 Sylvie - her actions, her choice and a whole bunch of theories (Spoilers!)

After watching the Loki finale, I have been scrolling through Tumblr for quite a long time. I already knew that people's opinions were gonna be incredibly different but I definitely did not expect this much negative backlash. Especially when it comes to two specific topics - the Sylvie and Loki kiss and Sylvie's betrayal (/choice/actions). I'm gonna be talking about the latter, for it is another time I'll talk a lot about Sylki's relationship. (Beware that this post is also really long though)

First of all, everyone has different opinions and I respect that. I absolutely adore movies, books, TV-shows and videogames because despite what's happening within the story, each viewer has the opportunity to see something else in what they are shown (besides the obvious canon). What I mean is that everyone interprets certain scenes differently and gains the opportunity to make up theories. Therefore I want to clarify that I do, by no means, want to force my views upon others. It's nice to see people talk about the Loki Series (as long as it doesn't get too negative and hateful, iykwim) because every viewer can share their specific experiences with it :)

I'm gonna analyse Sylvie's character a bit ( because, well, I'm bored and I kinda wanna protect my beloved character that I've only had for a few weeks >:^0 AND the only thing I could think about the past day was this episode) and try to explain her actions in the finale (keep in mind: not justifying them, but explaining them).

I'm terribly bad at concentrating on one single topic point so I kinda made a 'list' with questions and whatnot that I wanted to dive deeper into. Your thoughts are also more than welcome!

I already want to apologise for grammatical mistakes, for I am not a native english speaker.

Sylvie's reason for being taken away by the TVA is still kinda unknown

You know, I've heard quite a few theories about Sylvie's nexus event by now. Some people say that she got taken away because she was playing with her toys in a way that indicates her having a good heart (playing as a Valkyrie and wanting to save someone, another hint may also be the reaction she showed towards someone else who got kidnapped by the TVA, yelling at the soldiers to "help them out"). Another theory is that she already knew she was adopted, unlike Loki who found out way later than her. Please correct me if I'm wrong, but we never got to hear the actual reason why Sylvie got kidnapped. Even Renslayer didn't say a word about it.

Now I'm gonna come up with yet another theory. What if Sylvie didn't really have a nexus event in the first place how we know it? In the final episode, Kang has said that he has planned out everything beforehand so both Loki and Sylvie would end up right in front of him. Did Kang's plan also possibly involve him getting killed by Sylvie? Hear me out: We don't actually know if the Kang we saw in episode 6 is the actual 'nice' Kang and not one of his evil variants. He has already talked about 'reincarnation', so who says that after ending the first universial war, Kang didn't reincarnate into someone with an unpure heart (aka, one of his evil variants)? That'd mean that the real Kang would have been killed and the Kang we've seen in the finale is actually an evil version that simply lied to both Loki and Sylvie. Besides that, we also don't know if Kang actually had that 'point' where he didn't know what would happen next. The show revolves a whole lot around trust, not only regarding the characters, but also the viewers. Who's to say that Kang said the truth? Maybe he planned it all out: He created the TVA, let Sylvie get kidnapped and therefore give her a reason to hunt after Kang, who in return could reincarnate if he got killed OR get killed and therefore give his other variants a possibility to conquer the universes yet again. Don't you think that it was kinda suspicious that Sylvie escaped so easily out of Renslayer's hands? The one person who's probably closest to Kang? (Even though, yes, she doesn't know who he is but Renslayer seems to play a very important role in his plan). What if the Kang we saw was the nice Kang though? Would he plan everything up to a point where another universial war would break out because he might know that there is indeed something/someone out there who could end it and therefore, possibly end Kang as a whole or create a new kind of system revolving around the universe? And therefore, get rid of the possibility of another universial war happening? Who knows. I am definitely overthinking and reaching at this point. One more thing that stood out to me while thinking about the episode again today (which kinda weighs more into my theory of Sylvie being a keypoint (or rather a puppet) in this plan): Kang has talked about his Tempad and that he knew that he would need it to have enough energy. But for what? Yes, his initial idea was to give it to Loki and Sylvie to rule over the TVA, but what if it was supposed to be used for another reason? Sylvie used it to transport Loki back to the TVA (though I kinda think he was accidentally transported to another timeline, hence the reactions of both Mobius and Hunter B-15) and therefore get rid of the only thing that could prevent Sylvie from killing Kang. The Tempad was used to secure Sylvie's path and therefore eradicated Kang's only option of safety. You can see the Tempad loosing it's glow after Kang was killed, possibly due to Kang himself being the origin of it's energy. But maybe, it only had enough energy for one specific action: getting rid of Kang's protection. I do think that Sylvie is now stuck at this place and somehow has to find a way back to Loki's reality. The Tempad clearly doesn't work anymore (at least in my opinion) and there was quite a long shot showing the Tempad up close, which is kinda suspicious tbh. Also, something regarding Sylvie's unanswered nexus event feels kinda odd to me, too.

My theory in conclusion: Sylvie (and Loki) are unconciously helping Kang with his plan (a big, big, BIG plan). They're his puppets, especially Sylvie, because she's the one who created the Multiverse to begin with. Think about Loki, who was said to be manipulated by Thanos in Avengers? It's basically the same train of thoughts.

Sylvie does not take Kang's offer into consideration

To be honest, this was something to be absolutely expected of her. Sylvie was kidnapped as a child, taken away from her home and family, and had to grow up in countless apocalypses where she could never form a real bond with anybody because she knew that those people were all going to die anyway. (Please don't judge me if I got that wrong, maybe I understood the next thing wrong? Idk, if so, I'm very sorry) She revealed that she was kidnapped way before Loki was even born (something I have to think about, too, because, if Loki is the actual Loki the other variants are based off, why did he exist after Sylvie? Wouldn't that make him a variant of Sylvie instead? Idk timelines and parallel universes are hard to understand for me :') I'm kinda stoopid ), therefore she must've had spent several decades of her life running away. She had no life at all. Her only goal was to bring down the TVA and whoever is behind it, driven by pure rage, seeking out revenge for stealing her life and basically forbidding her existence. And now that she has found said person, the only thing that'd be right for her character would be to go for the kill. As immoral as it may sound, it is the only thing that makes sense. And I am actually very happy that Sylvie's goals didn't change besides the fact that she did indeed soften up a little and has gotten someone really close to her. In contrary, it makes sense for Loki to do the exact opposite. His goals have changed. He does not act the way he did in Thor or Avengers anymore. He has found another goal for himself: to make Sylvie feel alright. He has had immense character growth and didn't take a chance to change his goals back in the Thor movies or in Avengers, (....maybe later in Thor: Ragnarok, kinda). This is exactly what I think might happen to Sylvie, too. She is at the beginning of her character arc. She doesn't take the chance to change her goal, but goes for her original goal instead. Said goal does not really have positive consequences (though, maybe it might have some? We're about to find out), which results in a so called 'negative character development', which Loki has already gone through. I think that Sylvie is gonna grow as a character in season 2 and get a positive character development in addition, just like Loki did. I highly doubt that she's gonna become the antagonist, it does not make sense at this point.

Why does she not take Kang's offer (besides her very obvious intention ofc)? That leads straight (or not so straight, pun intended) to the next thing I wanna talk about. Sylvie's distrust in everything and everyone. Besides not wanting to let other people go through what she has been gone through and wanting to let people have a free will, she also does not trust Kang with his offer of 'ruling' the timeline. And it might be because she also does not trust the one she'd be ruling with: Loki.

Why does Sylvie not trust Loki?

I don't even have a specific answer to that, except that Sylvie has an incredibly thick wall built up around her. Loki has always been portrayed as the one you should not trust because he's known for backstabbing people. Loki could have thought the same about Sylvie, but he didn't. Due to his character arc, he himself has learned to trust other people and tries to redeem himself with making himself a person others can trust (He may project that onto Sylvie, meaning that he puts his trust into a Loki variant and therefore in himself, too). You can connect that fact with both Sylvie and Mobius. They're both people who are incredibly important to Loki. He wants them to trust him. He openly told Sylvie about his mistakes and tells her that he's not that person anymore. Sylvie on the other hand does not trust that easily and is - in my opinion - a very important key regarding Loki's character development. It is incredibly hard for Sylvie to trust others (probably due to her trauma) and it therefore creates a very difficult situation for Loki, where he has to 'prove' himself as trustworthy. It's basically about 'trusting yourself' if you put it that way. It's something Loki has to learn about himself: not betraying the trust of others. Sylvie might have to learn something like this, too: learning to trust someone else. It's kinda like a two sided coin - one side is about putting trust in others, whereas the other is about gaining trust from others (and what you do with it). (Good) Relationships in general are always based off trust and honesty. So in order for them to be able to have healthy relationships with others and themselves, they have to learn about trust within themselves (I hope you understand my point, I got carried away, sorry). Loki started to trust Sylvie very easily (maybe because of love? Maybe because of something else? There are still a lot of unanswered questions) whereas Sylvie doesn't trust Loki very easily. Sylvie's character arc might (hopefully) carry on with this topic in the next season.

Was that kiss initiated due to emotional or practical reasons?

Kinda both, somehow. I do think that Sylvie used the kiss to her advantage but you can also clearly see how moved she is while hearing Loki's words. Facial expressions are insanely important when it comes to acting and both Tom and Sophia delivered perfectly. You might've already heard of the quote "The eyes tell more than words could ever say". Look at Sylvie's face when Loki tells her that he wants her to be okay. She is teary eyed, sighs even. She is indeed touched by his words and I strongly think that Sylvie also has non-platonic feelings for Loki, despite barely showing anything.

Here's a snippet out of an interview with Sophia:

(Source)

Both Sylvie and Loki are said to be people who can not trust others. They both have a vulnerable side though. Loki clearly showed that several times when with Sylvie (singing to her, the blanket scene, the comfort scene in the room of the timekeepers, the confession of wanting her to be okay) and is also shown incredibly vulnerable at the end of episode 6: there are several shots showing him, crying. Sure, we have already seen Loki cry a few times beforehand but this time, it's different. He cries because the one person he is the most vulnerable with doesn't trust him, and that does hurt like hell. By the way, if you look at the close-up shot of Sylvie after she yeeted Loki back into the TVA, you can see pain in her eyes, too. But that pain quickly shifts into rage and determination. Something that I have to admit was incredibly well executed by Sophia and the people who directed this shot. Sylvie does show her vulnerable side for a brief moment before putting up her walls again and reaching for her goal.

In conclusion: I think Sylvie initiated the kiss as an emotional response to Loki's words but also used it to distract him to be able to kick him back into the TVA at the same time. Keep in mind that it was because he was in her way of fullfilling her goal. She didn't want to kill or hurt him, so she sent him away instead. So, yes, I think the kiss had both emotional and practical intentions.

Did Sylvie betray Loki?

Even though it really felt like she betrayed him, she didn't. Let me tell you why:

Loki knew exactly what Sylvie was gonna do after reaching the person behind the TVA. Loki supported her all the way up until Kang suggested a deal to them, that's where Loki's and Sylvie's paths divided. Loki is a very smart character, he outsmarts a lot of Marvel characters and therefore I think it's very in character for him to consider one part of the deal and outweigh the pros and cons. Not because he wants the throne, no, but because he wants Sylvie to be okay. A universial war could lead to countless casualties - possibly those people close around him, so of course he would want to keep her safe through that decision. Making them both rulers over the TVA and the sacred timeline would probably guarantee a strong protection from several threats. Also, maybe he thought about the possibility of Sylvie regretting her decision (which she clearly did in the end) and wanted to protect her from even more emotional pain. But as we know, Sylvie's intention has always been laid out in front of her and it didn't change. Loki knew what choice she was going to make and merely tried to change her way - without being successfull.

I don't really know what to think about this scene though. To me, it doesn't meet the requirements of a 'betrayal' but at the same time it does feel like one. It's very difficult to explain :'D

Also, I've seen some people asking themselves how or if Loki will ever be able to forgive Sylvie for making her decision. Let me assure you one thing: he will forgive her. He has said it himself: "I know what you're feeling, I know what you're going through". He has been at Sylvie's point, too. Not only once, but several times already. He seems to have learned from his mistakes, Sylvie has yet to do so. ("I betrayed everyone I've ever loved" is a line to keep in mind now, too. Maybe it could even be projected onto Sylvie this time, because Loki is indeed very dear to her) If there's someone out there who can empathise with Sylvie the most, it is Loki.

Why would Sylvie straight up cause another Universial War?

As I already said. Sylvie's arc is a negative character arc. It does not end well and causes a lot of chaos. Think about Peter Quill in Infinity War and his rage moment on Titan. They could have had the infinity gauntlet way before but Peter got emotional (understandable) and therefore destroyed the chance of an early good ending. The same happened with Sylvie. Her decision was mostly emotional, but also practical on the other hand (giving people free will and freedom). She will face the consequences and I'm pretty sure she's gonna redeem herself and tries to help fix the big mess she has caused.

Sylvie's breakdown

Another scene that was absolutely brilliant was the scene after Sylvie has killed Kang. She backs off slowly and then slumps to the ground, breathing heavily (now that I think about it, I think she even started to cry). She has waited for this moment her whole life, but now that it's done, it kinda feels like she didn't exactly get what she needed. Hunter B-15 has already mentioned it before that Sylvie needs to hunt the person behind the TVA down, unlike Renslayer, who only wants to find out who it really is. Although Sylvie might have recognized that this wasn't everything she needed at this point. We already got to know that she didn't have a clue what to do after she's done with the TVA. She didn't have a goal beyond that. And now that she has reached the point where she is clueless, she might have recognized what she really needed beyond finishing her goal: friends, a life, literally anything that doesn't make her feel alone. And she literally just kicked that one thing away from her. Loki, the one person who has been closest to her and gave her the feeling of not being alone anymore, the feeling of having a friend (or someone more than a friend), has been pushed away by herself. I think that in this exact moment where she sinks to the ground she recognizes that not trusting Loki was a mistake this time and that revenge isn't enough to satisfy her forever.

But maybe that one thing that will satisfy her for a long time is something she's returning back to in season 2. I am so excited to see her again and find out more about Sylvie's character!

Thank you so much for reading this! If you want to add something to this list or correct something or anything, feel free to do so. I'd love to hear your thoughts on Sylvie's character in the finale and what you think might happen with her in season 2 :) see y'all, stay safe and have a nice day/night!

[tuancore]

Lost You (Part 15) :

Starring- Jinyoung x reader

Genre- Angst

Summary- It's your choices and actions which made you miserable.

Jinyoung was growing impatient by the rate with which the meeting was proceeding, three hours in the meeting and he felt like he has already spent an year inside the conference hall. Hyunjin kept on mouthing incoherent things to him, trying his best to prevent Jinyoung from daydreaming in such an important meeting.

"I hope you liked the proposal, Mr. Park" The new business partner exclaimed happily, standing up from his seat, finally getting Jinyoung's undivided attention. Jinyoung nodded his head with a polite smile standing from his seat as well, "Mr. Jung, I'm really looking forward for our collaboration, thanks for your precious time".

"No worries Mr. Park, I'm glad that we are able to work together" He chuckled again with a genuine smile, "I'll let my secretary send you the drafts of the agreement, you can have a look at it and if you would like to make changes you're most welcome".

"Sure, thank you" Jinyoung spoke for the last time shaking hands with Mr. Jung, "Sir, I would like if you don't leave the meeting hall until I'm done escorting them" Hyunjin bowed politely before guiding Mr. Jung and his secretary the way out of the company. Few other employees who were also requested to attend the meeting left the hall after greeting Jinyoung.

With everyone out, Jinyoung immediately fished out his phone dialling BamBam's number. He ran his fingers through his luscious locks biting on his bottom lip impatiently. He wasn't able to concentrate properly in the meeting but he did take note of the main points, he was growing way too impatient to be beside you again, in these two months it's for the first time that he has left your side for so long almost three and a half hours.

"Why the hell isn't he picking up my calls?!" Jinyoung yelled tossing his phone on the leather chair, after BamBam failed to receive his calls.

Hyunjin entered into the room swiftly, standing in front of Jinyoung from the other side of the table, "Hyunjin, I have to go. Whatever the agreement will be just email them to me", Jinyoung expressed striding towards the door to leave.

"Ma'am is not in the hospital" Hyunjin stated slowly turning his head to face Jinyoung, who halted in his steps before he could even push the door open, "What do you mean by that?".

"Sir, ma'am is not in the hospital. Yugyeom hyung messaged me that Ma'am gained consciousness almost an hour ago and that they are taking her with them".

"S—She woke u—up?" Jinyoung's lips quivered with happiness, which he wasn't able to supress. He hugged Hyunjin tightly almost cutting his oxygen supply, "I—I understand but you're k—killing me—me...".

He broke the hug placing his hands on Hyunjin's shoulder, he reconfirmed "You sure, that they were not joking.....She really is......I mean she.....Oh god finally!". Hyunjin's heart warmed seeing Jinyoung so happy for the first time in these past months.

"I'm also very happy Sir".

"Why didn't you inform me earlier?"

"If I had informed you earlier then you would've surely left the meeting and rushed there, and you know this meeting was very important for us, for the company.....I'm sorry Sir", Hyunjin hung his head low in guilt for not informing him about you soon just because he was being thoughtful for the company and not for you who is Jinyoung's life.

"Yah!" Jinyoung called, shaking Hyunjin's shoulders, "There's nothing to be sad about, I'm so glad that you were always there beside me, always handled the official work whenever I failed to, I know these past months were hard for you as well. But not even once did you complain and I appreciate you heartily for that, Hyunjin-ah".

Smiling softly, Hyunjin nodded his head. Many of the employees of the Park Inc. wondered as to why Jinyoung tolerated Hyunjin when most of the times Hyunjin bossed Jinyoung around, but the thing which both of them hid very well was that Hyunjin was Jinyoung's cousin, he offered Hyunjin to work for him for the sake of work experience which Hyunjin gladly accepted.

He was afraid that people in the company would think that Hyunjin was trying to take advantage of being Jinyoung's brother, so he decided to not let anyone know that he was related to him instead he'll work as a normal employee along with others. Reluctantly Jinyoung accepted it, being such a young lad Hyunjin was super smart in every aspect of business administration, just like Jinyoung was. And within a small amount of Hyunjin became the most dedicated and hardworking employee of the company.

"Thank you hyung...." Hyunjin muttered softly, "So enough of this melodrama, we'll continue it later, I was starting to like it though", he teased Jinyoung for getting sentimental as he barely expresses his feelings to someone.

"Yeah.......sometimes it's good to cry and rejoice like people in daily soaps" Jinyoung added, both of them laughing heartily.

"Let's go and have Ma'am back in your arms now shall we?".

__________

"Will you both speak now?" You asked the two boys standing in front of you sternly, eyeing them in irritation. After the little confusing revelation of Youngjae being your bff, you started losing your temper growling at both of them for their stupid attempt to protect Youngjae and Jinyoung and have you to forgive them. Not knowing specifically what has to be done they brought you to their studio.

Crossing your legs on the only couch in their pretty decent studio, you sighed, "I have no idea what you both are trying to pull off.....but it's not enough to change my mind".

"Noona to be honest we are also as clueless as you", Yugyeom stated sitting on his swivel chair, "What do you mean?" You asked tilting your head.

"Can we know why you're so mad at Jinyoung and Youngjae?" BamBam cut in with a humble smile, "What did they both do? That you don't even want to hear their names".

"Did you both hit your head hard?" You blurted in disbelief, the two have been sticking around with you since the beginning of all the mess and now they are acting as if they don't remember a single thing. Unbelievable.

BamBam and Yugyeom both didn't want to force things on you seeing your still not very stable state, but your words were getting to their minds they have to know what's the reason behind your outburst, your anger for the other two.

Giving you a stoic face, they insisted for you to explain the thoughts going inside your head. With that you let everything out from the beginning to end, how Jinyoung alleged you of cheating on him with Jackson, how BamBam came to know about Jinyoung and Jisoo seeing eachother, how Youngjae was in love with you because of which he caused misunderstandings between you and Jinyoung. How your heart got broken by him because of which you lost your child and attempted suicide.

"But I'm alive any way" You grimaced rubbing your temples. BamBam and Yugyeom felt their souls leaving their bodies, their face got pale with cold sweats forming on their forehead.

"Th—That w—was.....What w—was t—that?" Yugyeom stammered wiping the little sweat beads from his head, "None of this has ever happened? Then what are you talking about?" BamBam spoke with widened eyes staring into your chocolate orbs.

"Please don't act as if you've forgotten everything! Their betrayal is not something to be forgotten within two months!"

It's not like they wanted to shout on you, but your stubbornness made it impossible to let the things run smoothly, they had to burst your bubble because whatever you were saying was nowhere close to normal and if extended it can cause harm in real as well.

"We haven't forgotten anything! You— Whatever you're saying has never happened, none of it is true. You said I was the one who told you about Jinyoung hyung cheating on you right? Then why the fuck don't I remember a single thing?!" BamBam snapped rising from his chair pacing back and forth in the room.

"What the fuck do you mean by you don't remember a thing?" You snarled at BamBam, "How can you forget everything so easily? Or you're sympathizing with Jinyoung and Youngjae?".

"I'm not sympathizing with anyone Noona! I'm fucking not!" He yelled back, "You said you committed suicide, but let me tell you, you didn't commit such a crime!".

"BamBam stop! I clearly remember that I slit open my wrist with a shard, wait let me show yo—", You pulled the sleeves of your shirt, to see your wrist but words got caught in your throat.

"What? Show us" BamBam added, crossing his arms to his chest, almost challenging you. You traced your wrist which was badly teared open by the shard, "How—How....c—come there's n—no mark?".

BamBam stood beside you taking your said hand in his, "You slit it open here?", He emphasized, "And there's clearly no mark, do you think it some sort of a joke that hurting yourself with a sharp piece of shard will leave no scar?".

"Okay, let's assume it didn't leave a scar but after stitching your wrist up will the stitch mark fade so soon?" BamBam proclaimed, "Two months are not enough, sometimes the scar remains for lifetime".

"And that's the proof that whatever you told us.......was something that never took place" Yugyeom concluded, nodding his head at you.

Thats true, even a knife cut would take months to heal then how come such a severe wound will heal this fast. Your skin seemed to be absolutely normal, same as that of your other hand, yanking your hand from BamBam's grip, you bellowed "But all I remember is dying and then all of a sudden I woke up to your face! Can it be some coincidence?".

"We don't know what it is, but all we know is that whatever you are saying is nothing but your own imagination, since nothing, not a single thing has ever happened in these past few months!" BamBam grunted, almost losing his calm.

Your mind was spinning like anything, every single moment is burnt in your memory, you can call out every single detail of whatever you've said to them. Then how come they both are trying to defy your not so old past. Everyone was aware of how much BamBam and Yugyeom are fond of joking and pranking but this time there was not a slightest hint of humour in their eyes or body language instead their faces were emotionless and voice was stern.

"What is happening?" You mumbled trying to soothe your pounding headache which suddenly caught upto you. Rotating your eyes across the room you eyes fell onto the desktop calendar.

Striding towards the table, you grabbed it, pair of eyes following your each and every move, "What month is it?" You asked.

"It's November".

Your gasped at the reply, "How can this be even possible?" You mumbled to yourself. When you committed suicide it was the month of November. Then how come it's still November.

"If I didn't commit suicide, then why was I admitted to the hospital?".

"Yes you were admitted to the hospital, but not because you had committed suicide but because you had a severe concussion", Yugyeom revealed, pointing at your head and that's when you realised a bandage was wrapped around your head the entire time which you failed to pay heed to.

"Two months ago, you had an accident in which a lorry ran into your car", BamBam professed looking at your wrapped head, "Your car was found upside down, your head smashed against the dashboard, it was a huge trauma for all of us".

"Noona we don't know what's going on with you, but trust us, none of it ever happened. We can never do injustice to you by saving them if they would have done such a terrible thing to you", Yugyeom expressed softly with a subtle smile, "And the truth is that Youngjae hyung is your bestfriend and Jinyoung hyung never cheated on you".

Youngjae is your bestfriend.

Jinyoung never cheated on you.

Pondering over his words, you forced your brain into recalling the events from the past, shutting your eyes close all you saw was a small glimpse of the time where you were grabbing coffee with Jackson teasing him bout Minyoung. Gripping on your scalps harshly, you groaned at the excruciating pain shooting through your brain.

Part 14 // Part 15

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(A/N: I seriously have no idea what you guys are going to think about this chapter so just let me know, sorry for all the mess, probably the next part will be the last one.Anyways thank you so much to you all).

[arocharacteradvice]

Hello! I'm trying to write an aro with self esteem issues, mainly because of her aromanticism. Thing is, she's felt neglected and alienated by her few friends due to them prioritising their SOs and discussing their love lives very often, things aren't the same anymore. I don't have much experience writing someone like that, though. Can any of you give me some pointers on writing a character like this? I'm not arospec, by the way.

Oof, that’s a very relatable situation. I think many aros feel this way, which means that there’s a lot out there written about the feeling, and also that you’re already doing a good job of making a character aro readers could see themself in. Anyway, this is going to be a long one so get ready.

There are a couple of experiences related to this topic that I think would really be worth including: The first is the feeling of neglect being brought about in the first place by things that others wouldn’t see as alienating, like for instance an alloro roommate moving out to be with their partner. Most people would see that as the natural order of things, but from the pov of an aro, or anyone who’s begun to think about amatonormativity, one relationship that is likely the newer one is being bluntly and explicitly prioritized over another just because one is romantic and one is platonic, and the friend being left behind is expected to feel happy that the couple is moving in and they’re being left behind, which is majorly unfair.

My point is, while it wouldn’t be wrong to write betrayals that are more obvious to an alloromantic audience, a lot of aros would probably appreciate you writing about the effects of ‘normal’ experiences that can be upsetting for aromantic, and presenting them as the cruel actions they are. A friend abandoning you on your birthday to go on a date would widely be regarded as mean, whoever it happens to. A friend being less affectionate with you because their partner feels jealous on the other hand would be seen as fine by a lot of people, but probably feel awful to an aro.

It makes it harder to bring these betrayals up to the friends, less likely that they would be understanding or change their behaviour, and often is a big factor in why we develop self hatred from these experiences. We’d be seen as the bad guy for complaining. 

The second thing is how ‘fixing’ the feeling of abandonment is probably going to look very different for an aro character, mostly because of the different standards friendships and romances are held to. Society will often see a person’s friends as of equal importance to them as their partner, when in reality the partner is prioritized massively. If you want to show the aro character finding better friendships, or making up with people who’ve made them feel abandoned, you’re probably going to have to make more of an effort than you’d realise to show that romantic partners are no longer prioritized. 

For instance, I’ve told alloromantic friends in the past how I felt like I wasn’t anyone’s most important person (or anyone’s like, one of five most important people at all the same level of importance, or one of anyone’s pair of favourite people, but you get my drift, I was always coming second) and then been reassured that they all loved me, just as much as their partners. An alloromantic response to that might be that it would be comforting to hear, and help to heal the friendship, but that’s really not the case. 

When ‘I love you’ said to you means the person cares about you, likes spending time with you etc. but said to their partner means all that Plus ‘you’re the only person I’d eventually like to marry/move in with/have a pet with/have a baby with/share a bank account with/require the opinion of before I make major life decisions and you’ll be the person I tell news to first/reserve sexual activity for/ask for consent regarding affection levels in other relationships/consider plans with to be of a higher importance/see myself as part of a duo with. Then uh, it’s not hard to see why being ‘reassured’ that that person ‘loves both of you’ might feel more condescending and dismissive. Even if you don’t necessarily want all of those things, the fact they’re offered to the partner and not to you and that this isn’t seen as unbalanced really hurts.

Basically, it’s show don’t tell. If a better friend later on is to be properly presented as treating the aro character as important to them, actually show them treating the aro that way rather than having them just say it. 

As for the specific ways a low self esteem of this kind can manifest and effect someone: 

feeling that your boundaries are unimportant. If someone is repeatedly told by ~society~ that the things that make them feel abandoned are fine actually, they’re likely to stop sticking up for themself. This might lead to your character experiencing more romance repulsion, or other kinds of stress, because they don’t feel able to express when something is upsetting them.

vulnerability to toxic or abusive relationships. This is very related to the last point, as again, aros made to feel like their boundaries don’t matter will be more likely to ignore red flags. We’ll also often be used to putting more into a relationship than we get out of friends always prioritise partners, so can be easier to manipulate and use.

Tendency to come on too strong even in healthy relationships, which can really burn you out. If someone has constantly had to fight a friend’s partner for attention, and always lost, they could believe they need to put more in than they get out to keep another friend. The low self esteem can also lead here to them pushing themself past their limits as they don’t value themself.

As always, any of our followers are free to add on. Sorry that this post has been longer and a little heavy, but hopefully it’s helpful. Good luck!

- Mod Kaladin

[drsth7]

consolidating some tags i put earlier

#hi yes hello #i have thoughts and questions #and shame but not enough to stop me #anyway hakon is a vampire (hot) #i have made my opinion on hakon bloodied before and it does not have to be his own blood clearly #now is hakon one of those old vampires who doesn't know shit about the time periods he's lived through and makes hit up OR #is he a relatively young vampire who claims he's old and makes shit up #not important but a funny thought to me #as for aiden #when did he become a werewolf #is this a since childhood thing or is it recent #i have decided that waltz is a vampire #which is why aiden is now a hunter #and mia is obvs still waltz daughter #probably adopted if waltz is an old vampire #and she was still sick but waltz didn't want to turn her because turning children is fucked #maybe it kills them i think it should anyway #so he's trying to find a way to cure her at least enough to reach adulthood say 25 years where turning is not guaranteed death #so waltz was either experimenting on human child aiden #in which case he's probably fucking with the vampire virus to accelerate healing without acutally turning #OR he's experimenting on werewolf aiden to try and work out how to imitate the natural accelerated healing that werewolves definitely have #anyway he obviously gets free and i guess joins a vampire hunting gang? #if he's a werewolf already he might not depending on whether there prejudice against other supernatural types #or he's a lone hunter; that probs works best #i think hakon should have found some way to disguise that he's a vampire so that when aiden and hakon meet aiden does not know #for the angst and betrayal #depending on when aiden becomes a werewolf #hakon is either helping him with the change OR aiden gets bit by another supernatural which does NOT interact well with his werewolfy-ness #maybe he was bit by a vampire and normally that would kill a werewolf but because of waltz it DOESN'T kill him #or maybe normally it does shit all but again because of experiments weird things are happening

 #hi it's me again i just noticed that some of my tags disappeared which is very rude #let's see if i remember what i wrote shit #i... don't know if i have the confidence to not write in the tags yet but i may have to eventually #anyway i had some thoughts on inhibitors in that they could; if included in the story; be used to help with bloodlust #with of course the potential to tip the user over into a frenzy #i think i thought of two situations specifically i would want to see #one where aiden has fully shifted and does not have human thought processes #and hakon was super worried that you know werewolf aiden will attack him #but instead he's a big puppy; that is until something intrudes and wolf!aiden tears it to shreds #and also after the hypothetical reveal of hakon's allegiance and or vampiric status #he gets severely wounded so aiden offers his own blood #and like idk maybe werewolf blood is not bad for vampires per se but maybe it doesn't taste fantastic #stale bread or something #but oh SHIT aiden's blood tastes super fucking good to hakon #basically i just want them to bite each other #sue me i like biting

OHHHHHHH OKAY HEAR ME OUT VampireHunter!Aiden who was bitten by werewolf and Vampire!Hakon

Ummm I didn’t think about the story so let me know if you have some thoughts 👀